Shrine Under Siege

Film Info: “Shrine under Siege” (1985) – 42 minutes

Distributor: Icarus Films

Summary:  SHRINE UNDER SIEGE describes the coalition formed by Fundamentalist U.S. Christians and militant Israeli Jews to destroy the Dome of the Rock, Islam’s third holiest shrine, and to build a new Jewish temple in its place. The documentary explores the theological background to this unusual coalition and places it within the context of the increased political power of fundamentalism in the U.S., and the rise of extremist religious parties in Israel, as demonstrated by the election of Rabbi Meir Kahane to Parliament

Film notice taken (with permission) from the “Teaching Resources” list in Meredith McGuire’s Religion: The Social Context, third edition. Her 5th edition (available from Waveland Press: see www.religionthesocialcontext.com) does not contain the resource list. I have only traced some of these films to current distributors. Please post updated information about them, if you have it. – JS

Triumph of the Will

Film Info: “Triumph of the Will” (1936) – Leni Riefenstahl – 120 minutes

Distributor: Blockbuster Video

Summary: Triumph of the Will (Triumph des Willens) is a filmed record of the 1934 Nazi Party Convention, in Nuremberg. No, it is more than just a record: it is an exultation of Adolf Hitler, who from the moment his plane descends from Valhalla-like clouds is visually characterized as a God on Earth. The “Jewish question” is disposed of with a few fleeting closeups; filmmaker Leni Riefenstahl prefers to concentrate on cheering crowds, precision marching, military bands, and Hitler’s climactic speech, all orchestrated, choreographed and illuminated on a scale that makes Griffith and DeMille look like poverty-row directors. It has been alleged that the climactic rally, “spontaneous” Sieg-Heils and all, was pre-planned according to Riefenstahl’s specifications, the better to take full advantage of its cinematic potential. Allegedly, propaganda minister Joseph Goebbels resented the presence and intrusion of a woman director, but finally had to admit that her images, achieved through the use of 30 cameras and 120 assistants, were worth a thousand speeches. Possibly the most powerful propaganda film ever made, Triumph of the Will is also, in retrospect, one of the most horrifying. ~ Hal Erickson, Rovi